23 Pixar Shorts for Teaching Elements of Literature (+ 2 Bonus Recommendations)
Updated: August 7, 2025
Every teacher needs a go-to bag of tricks. Those tried-and-true texts, strategies, or lessons that you know will work exactly the way you need them to.
We have a few: the 5C paragraph, Leon Garfield’s Shakespeare Stories, the end-of-novel flip book.
And, of course, the Pixar short film.
Say what you will about Disney, but we love Pixar shorts for teaching elements of literature, and, well, just about everything else.
We learned early in our teaching careers that we couldn’t take students’ background knowledge for granted. Most elements of literature that we are responsible for teaching to our students shouldn’t be new to them by middle school (and especially not by high school). And yet, with the exception of similes, metaphors, and foreshadowing, our “quick review” lessons frequently turned into reteaching lessons.
Once we realized this, we got into the habit of starting every unit with a review of skills our students would need to know, whether it was elements of literature, historical context, or a thematic preview.
We always wanted these activities to be engaging, quick, and accessible. Our goal was to move students toward analyzing elements of literature in their reading, but they were rarely ready to dive straight into a grade-level text.
We’ve used a variety of tools to accomplish this over the years—children’s books, TV shows and movies, images, Kahoot! games—but Pixar shorts remain one of the most reliable tools in our toolkits, especially for introducing elements of literature.
Why Use Pixar Shorts for Teaching Elements of Literature?
Kids love them.
Without fail, every time we use Pixar shorts in class, a student excitedly announces, “Oh, I’ve seen this one!” And this is the case for everyone from freshmen to AP seniors. In a time when we’re willing to do just about anything to engage our students, it helps to have a collection of texts we know they’ll enjoy.
They’re short.
Pixar shorts are almost always under 10 minutes (and frequently under 5 minutes), which means they work for a quick introductory activity or we can give our students multiple opportunities to practice with elements of literature in a single class period.
They tell a full story.
Many elements of literature—theme, plot, dynamic characters—are impossible to discuss effectively when you’re only working with a clip of a longer show or movie. Because Pixar shorts are so, well, short but still tell a full story, they work with a broad range of literary devices.
They are school-appropriate.
Because Pixar shorts are made for children, you can feel confident that they’re safe to show in your classroom, no matter what grade level you teach. As a bonus, most of them feature animals and animated objects, allowing you to sidestep controversial issues of representation. These short films work with learners of all levels, cultures, and identities.
Pixar’s SparkShorts collection, specifically “designed to discover new storytellers, explore new storytelling techniques, and experiment with new production workflows,” features a wide array of diverse characters, making it worth exploring (not only for representation but also because it allows for more complex themes).
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Access to our literary devices and elements list!
They are simple but not clichéd.
Since we’re using Pixar shorts to introduce students to elements of literature, we want them to be straightforward and more accessible than the texts we’ll use later in the unit. But if we teach high school (and especially if we teach honors or AP students), we want texts that will allow us to push our students beyond oversimplified clichés. Pixar shorts have enough depth to appeal to adults as well as children, which means they give even our more advanced students something to work with.
They rely on music rather than dialogue.
Most Pixar shorts do not have dialogue, only music and sound effects. This allows us to introduce elements of literature in a way that is accessible for all students, no matter their proficiency in English. It also allows us to require students to use evidence without getting into issues of punctuating, integrating, and citing quotations.
They are versatile.
Pixar shorts work for just about everything: you can use them to introduce themes, practice identifying elements of literature, or strengthen writing skills. Many of them also focus on relatable challenges and experiences, making them a useful tool for social-emotional learning or activities designed to promote empathy. Even better, many of them can be used for all of these purposes at the same time!
One Word of Caution About Accessing Pixar Shorts
It can be challenging to access Pixar shorts without a Disney+ subscription (you can also purchase them from Amazon or Apple TV), and some streaming services now prevent users from playing videos while in screen sharing mode (yep, we learned this the hard way). This means Pixar shorts are easiest to use if you have a smart TV with Disney+, Amazon, and/or Apple TV apps or the ability to browse the Internet. If you don’t, you’ll definitely want to test them out before you have students in front of you.
23 Effective Pixar Shorts for Teaching Elements of Literature
1
Bao
This poignant short film depicts the struggles parents face in letting go of their children when they grow from babies into young adults (we’re not crying, you’re crying). In this case, the mother is attached to a baby dumpling come to life, but it quickly becomes clear that the dumpling represents her actual son, who has grown up and left the house.
“Bao” is perfect for discussing conflict (internal and external), dynamic characters, symbolism, and theme. It was one of our regulars in our Pixar Shorts for Teaching Theme lesson because it dealt with complex emotions that many students could relate to (even if it was from the other side of the conflict).
2
Burrow
Part of the SparkShorts line, Burrow tells the story of a rabbit with interior design plans for a new burrow who is determined to carry out the project all on its own. When things go awry, however, the rabbit learns that maybe, just maybe, asking for help isn’t such a bad idea.
We use “Burrow” as an intermediate-level text for theme writing practice, but it also covers plot, conflict, and characterization.
This short starts lighthearted and funny—day and night realize that they have different experiences of any given scene and view each other with a combination of suspicion and jealousy. But they come to realize that they have nothing to fear and can learn from one another.
“Day and Night” is great for an early introduction to theme (there’s dialogue toward the end that makes the theme fairly obvious); it also works well for introducing the concept of foil characters and symbolism.
In this Walt Disney Animation Studios short, a raccoon tries to keep its child safe—much to the child’s frustration. When the child becomes a parent itself, however, it finds itself struggling to avoid repeating the same patterns.
We love how relatable this story about raccoons will feel to our students (whoever thought of using raccoons to discuss generational trauma?), and it’s complex enough for a more advanced lesson on writing theme statements. We use it as the text for a lesson teaching students how to defend a theme statement with an analytical paragraph.
(This is a Walt Disney Animation Studios short, not a Pixar short.)
5
Feast
Who doesn’t want to watch an adorable dog go on an adventure across town to rescue his beloved owner from the depression of heartbreak? This was the perfect choice for our students to practice creating a plot diagram.
(This is a Walt Disney Animation Studios short, not a Pixar short.)
6
Float
Another SparkShorts offering, “Float” introduces us to an adorable baby with a talent for, well, floating. Afraid of judgment from neighboring families, the father tries to keep the child inside, away from curious eyes, but as the child grows, it’s harder to suppress this unusual ability, leading to a heartbreaking playground scene.
The short works to teach pretty much any of our elements of literature—plot, conflict, character, symbol—but we found it particularly impactful for students ready for practice with more complex themes.
We all love watching bullies get their comeuppance, even when those bullies are birds named Chipper, Snob, and Neurotic.
This delightful short film earns a lot of giggles, and it works well for introducing conflict, connotation (if you give students those character names), and irony. It also works well for practicing writing theme statements, but it tends to lead students to write morals, which is why we recommend using it early on, perhaps as an opportunity for students to focus on the difference between a moral and a theme.
8
Kitbull
This surprisingly poignant offering from SparkShorts tells the story of a stray cat and an abused pitbull who come to be friends (despite the cat’s initial fear of the pitbull).
It’s a powerful opportunity to explore themes related to first impressions, prejudice, and the understanding that comes from interacting with someone different from you, but do be aware that it includes animal abuse.
9
La Luna
We absolutely love this one, and it’s a staple in our Pixar Shorts for Teaching Theme lesson. The film depicts three generations—grandfather, father, and son—going out to complete their nightly job of cleaning up the stars that have fallen on the moon. Both the grandfather and father are determined to teach the young boy their way of doing things, but it turns out that the boy might have some groundbreaking ideas of his own.
Students write great theme statements for this one, and it also works well for introducing symbolism (guide any struggling students to pay attention to the brooms and the mustaches!).
10
Lava
We could listen to this adorable musical love story on repeat, the sounds of a ukulele transporting us directly to an island in the middle of the Pacific.
The light and simple short film gives students the perfect opportunity to practice creating a plot diagram, and the lush setting is worth discussing as well (especially if your students need practice using imagery!).
11
Lifted
Whenever we talk about alien abductions, we tend to work under the assumption that all aliens are powerful creatures, far more intelligent than us mere humans. But what if the aliens have to learn that intelligence, just like we do?
If you teach sophomores and juniors going through driver’s education, they’ll find this humorous story quite relatable. We used it as an assessment in our Pixar Shorts for Teaching Theme lesson, giving students extra practice writing a theme statement after completing guided practice activities.
12
Lou
On the surface, this story about a playground bully learning a valuable lesson in empathy seems most useful for an SEL lesson, but we found students are also able to write interesting theme statements for it, so we used it as an additional assessment in our Pixar Shorts for Teaching Theme lesson.
As an added bonus, we also use “Lou” for a guided practice activity when we have our students practice identifying and writing hooks for essays.
13
Nona
Poor Nona. All she wants to do is watch a wrestling match, her way of remembering her presumably deceased husband, but when her granddaughter is dropped off unexpectedly, her plans are disrupted. Despite some initial frustration (and a few tears), Nona finds wrestling can connect it with her granddaughter the same way it connected her to her husband.
“Nona” lends itself well to a wide array of elements of literature—plot, conflict, character, and (the way we use it), intermediate or advanced theme statement practice.
14
One Man Band
Competition can be good, leading to innovation and improvement, but when things get too competitive, everyone loses, as we learn in this exchange between two street musicians vying for a young girl’s gold coin.
We’ve used this to practice discussing conflict, cause-and-effect and character development. It also works for students to practice writing effective theme statements.
15
Paperman
It’s love at first sight when a young businessman sees a beautiful woman at the train station. But when they’re separated too soon, finding her becomes his top priority for the day (much to his boss’s frustration).
This Walt Disney Animation Studios short is a touch longer than some of the other short films, making it a perfect “final” practice for our students when they were learning to create plot diagrams. With only three characters, it also made a great resource for our students to practice writing dialogue in preparation for a narrative creative writing assignment. There is no dialogue in the short film, but plenty of action, interaction, and emotion to inspire students to create their own.
(This is a Walt Disney Animation Studios short, not a Pixar short.)
In a world where clouds create the babies that storks deliver to Earth, there’s a stormy cloud that specializes in less savory babies like alligators and porcupines, creating challenges for its assigned stork. A misunderstanding between the stork and the cloud leads to hurt feelings, but the film’s resolution encourages us to have a little more faith in others.
Perfect for plot, characterization, conflict, and early theme statement practice, your students will enjoy the reminder that there’s room for all of us in the world—even those of us who create alligators rather than chubby, smiling babies.
17
Piper
We adore watching the short adventures of a young sandpiper, initially afraid of the powerful ocean, who learns that rich rewards await those who are willing to face their fears head on.
“Piper” makes a great opening activity for our Pixar Shorts for Teaching Theme lesson: we use it as our example when providing direct instruction on the six characteristics of an effective theme statement.
18
Presto
Every good pet owner knows that forgetting to feed your pet leads to unpleasant consequences, but the magician in this Pixar short clearly has a few things to learn. When he forgets to feed his rabbit, the rabbit refuses to participate in their magic show, creating quite a bit of havoc.
Fun and silly, this is a great way to review plot, cause-and-effect, conflict, and theme.
19
Purl
This Sparkshorts film tells the story of Purl, a ball of yarn hired to work in a male-dominated company who gives up her sweet nature to fit in . . . until another ball of yarn is hired, becomes the target of bullying, and brings Purl to her senses.
This short film works well for additional practice writing theme statements, and while many students will connect to the themes relating to conformity, we think older students may appreciate the opportunity to discuss more “grown up” topics like toxic masculinity, particularly in the workplace (do be aware that this one may not be appropriate for younger students). Unlike the other Disney and Pixar shorts described here, it does include dialogue.
Sanjay’s father wants his son to appreciate their religion, but Sanjay is far more interested in his collection of superheroes. When the two realize they can share their culture even though they express it differently, however, the frustration between them melts away.
We think many students will find this parent-child conflict relatable, and it makes for a great practice with conflict and intermediate-level theme statement practice.
21
Self
In a futuristic world created by SparkShorts, a wooden doll struggles to fit into a society of glowing metal creatures who communicate through melodic echoes. Desperate to connect, she begins replacing parts of herself until she realizes she’s gone too far and finds acceptance while holding onto her true self.
While it allows students to explore most elements of literature (including complex elements like symbolism and irony), we used it for more advanced practice with theme statements since it’s rich with options for students to work with.
22
Us Again
This Walt Disney Animation Studios short introduces us to an older man who seems to be disenchanted with life until his energetic wife drags him out into the world to remind him of the joy they used to share. He learns that while he can’t fully return to the past, he can find more joy than he’s been experiencing.
We use this short for practice with theme statements, but it would also make for a great character study, and it could be used to cover plot, setting, and conflict as well.
23
Wind
Trapped underground, a boy and an older woman are determined to do what it takes to not only survive but also escape their predicament in this SparkShorts film. In the end, however, they learn that sometimes the best choice requires great sacrifice.
As with most of our recommendations, “Wind” makes for a great intermediate-level practice writing theme statements, but it also allows for discussion of plot, character, setting, symbolism, and conflict.
2 Bonus Non-Pixar Short Film Recommendations
There are also many animated short films (of increasingly high quality) that are not produced by Walt Disney Animation Studios or Pixar. Not only are these short films easier to access on YouTube, but they often feature diverse characters and points of view, which make a refreshing break from the omnipresent (yet beloved) Disney.
This Sony Pictures Animation short film won an Oscar after its release in 2019. It depicts a Black father and daughter getting ready to bring his wife (and her mom) home from the hospital, where she has been receiving cancer treatment. The daughter wants to look nice for this important day, which means her father must face the daunting task of doing her hair for her.
The story is sweet and humorous with a touching conclusion, and we appreciate that it presents an experience that many of our students can relate to but may not have seen represented on screen.
We used this in an activity reviewing how to support claims with evidence: we provided students with a claim about the short film, and they had to select the piece of evidence from a list that BEST supported that claim. It would also work really well for practice creating plot diagrams.
Another award-winning short film, “The Present” (2014) tells the story of a teenage boy obsessed with playing video games until his mom brings him a puppy as a gift. The teenage boy is initially disappointed by the dog’s imperfections, but the puppy is persistent in winning him over, and in a surprising twist, we learn there is more to the boy’s initial reaction than we first realized.
We used this one in the same activity as “Hair Love,” giving students the opportunity to practice identifying evidence to support a claim, but it would be a great fit for discussing characterization (especially the difference between flat and round characters) and practice writing effective theme statements as well.
Pixar shorts are perfect for teaching a wide range of skills, from elements of literature to writing dialogue and identifying evidence to support claims. Because they are short, well-crafted, and engaging, they allow us to create introductory activities that allow our students to review and practice these skills before applying them to the more complex grade-level texts in our curriculum. They’ve been a hit in our classrooms for years, and we hope you’ll find them as useful as we have!
Looking for materials to go with the Pixar shorts we’ve discussed here?
Check out our Pixar Shorts for Teaching Theme lesson, which includes multiple options for presenting information to students and engaging them in practice activities.
We also have Volume 2 of the same lesson with upgraded (if we do say so ourselves) teacher presentation and storyboard student reference sheets, new examples and new Pixar shorts (because sometimes it helps to say the same thing in a slightly different way).
If your students are ready for a bit more of a challenge, we have a “leveled up” activity where students practice revising, writing, and defending theme statements.
If you’re a bargain hunter, you’ll want to check out the bundle that includes all three Pixar theme activities.
If you’re looking to cover even more elements of literature with Pixar shorts, we’ve also created a mini-unit introducing the elements of plot, which includes an activity in which students practice creating plot diagrams for three Pixar shorts before moving on to an episode of Modern Family and, eventually, Frank R. Stockton’s short story “The Lady, or the Tiger?”




























